Intelligent Agent - http://www.intelligentagent.com
Editing Intelligent Agent lies between arts advocacy and exploration of narrative. In constructing a unique venue in which strong scholarship combines with a comparatively open editorial policy, Intelligent Agent seeks to create a forum in which a combination of leading thought and the lesser known voices can come together.

Scholastic Statement
One of the foundations of all of my work is based on communication , critical analysis, theory, and narrative. From this, a great deal of text has been generated from research projects, presentations, reviews, and various commentaries.

Although this is not a comprehensive listing of all of my texts, listed here are most of my seminal pieces plus a few versions in Acrobat format.

Quotes:
After any major societal overthrow, the first to be taken out and shot are the artists and intellectuals. Mainly because, by and arge, they deserve it. However, being part of this particular demographic, such an assertion does not fill me with joy.

I have never believed that in referencing historical artists such as Duchamp, Beuys or Kandinsky that I believe in any way that i am one of them. This is silly; it is as if to accuse me to thinking I was a fire hy\drant whenever I wore a red sweater. It is that I understand that I am a product of history, and it is something that must not be forgotten..

• An Alpha Revisionist Manifesto (2001)
• Alpha Revisionism Revisited (2004)
• Towards a Digital Minimalism (2004, coming soon)
• Globalist Realism Manifesto

• Confessions of a Whitneybiennial.com Curator
• Grasping @ Bits 1.1 -
  Art and Intellectual Control in the Digital Age
  Linear Version (printable text)
• Metaphor and Terrain-
  Interface as Art Object
• The Millennial Museum
• The Cybernetics of Performance
• Enabling the Disabled Voice:
  Issues of Disability in New Media Arts
• The Feng Shui of Cyberspace
  Virtual Spaces and Ergonomics (1997)
• Speaking the Multimedia Culture (1995)
• Reflections on Generative Installations
• How My Hard Drive Became a Floppy Disk:
  The Rise and Fall of VR in the 1990's
• Incident Bodies: Virtual Humans, Avatars, and Popular Culture
• Reconfiguring the Museum:
  Curation as Collaborative Model
• The Panic Museum:
  Memory and Digital Delirium in the Information Age:
  Exhibition and Conservation in the Digital Arts
• Through the 8-Ball Darkly:
  New Media and the Implosion of Meaning (1997)
• Diappearance of Histories/Histories of Disappearance:
  Ephemerality of the Record in Online Culture
• MACHINE:
  Mapping the Multimedia Terrain of Postmodern Society (w/J. Epstein)
• New Media Artist: Content or Context Provider? (Anth. Lovejoy/Paul/Vesna)
• Theory of the Eclectic - Presentation as Performance
• Towards a Historiography of New Media
• Towards a Culture of Ubiquity - Moving From the Screen to the Body

• Through The Looking Glass: Technological art and Creativity (2000)
• (re)distributions: Mobile Devices as Cultural Intervention (2001)
• Iconography: Computer Icon as Artform (2003)
• Mo/Pho: The Mobile Eye (2005)

• Metacommentary on Towards a Historiography of New Media
• On the Death of Net Art (3/31/04)

• Working Note 21.8
• Working Note 21.9

• Preponderance (2004)
• The Corporate History of Slavery in Louisiana, 1700-2004

• Mark Amerika - PHONE:ME
• Max Herman: Genius 2000
• Video Game: Tron 2.0
• New Orleans Media Experience 2003
• NEWORKEXITNEWYORK (2003)