The common misconception regarding my work is the idea that none of it has a manual component. In other words, being a largely digital artist, some ask whether I actually draw using traditional methods.

Although much of my work does not incorporate traditional methods, there are many examples of traditional work in my portfolio. The graphite study at the top of the page is one of such examples,

In 2004, I ventured into a rather extensive series of opils based on digital imagery and low-resolution aesthetics.