My grandmother earned a BFA from Carnegie Mellon (1908), and my grandfather was part of the Art Students' League of NYC. My mother was a practicing artist working in oil, acrylic, inks and a number of other media. Therefore, my training in traditional media started quite young, and much work was created from a very young age, although I did not start exhibiting anything until 1988-9.
Although my first works were primarily in acrylics, in the late 80's I began translating some of the digital work I was doing into xerography. Digital print and color xerography followed in the early 90',s and I obtained my own large format pronter in 1997. Since then, much of my work has been created using this printer, although I have been reworking pieces in traditional media since about 1996.
Traditional methods are not absent from my practice, as in 2002 I have been working extensively with inks on fine paper as well as oils in creating derivative works from my digital images.
As
is usually the case, the choice to use 2-dimensional media is not a choice
of craft, but a choice of aesthetics or concept.
- Made in China (Globalist Realism oil paintings, 2004-)
- The Nine Lives of Milo S. Fisher (Study)
- Digital Minimalism/Huletts (2005)
- Digital Minimalism/Figuratives (2005)
- Digital Minimalism/Space Invader (2005)
- Verbotenbilden Installation (2005)
- SPRAWL Prints (2004)
- Digital Minimalism/Game Culture (2004)
- Fetish of the Feminine Form (2004)
- Pax Americana Flag (2004)
- Opacity of the Code (2004)
- Automatic Psychedelia (2002,3 - Ink)
- 8 Bits or Less (Print, Oil 2002)
- 8 Bits or Less Artists' Book (2004)
- Stereoscopy in 8 Bits or Less, (2003)
- 8 Bit Zoetrope (2004)
- Ikons (Generative Imagery & C-Print - 1996-8)
- Generative Nudes (1998, Print/Mixed)
- Sketches and Draft Paintings
- Single Prints from 1999
- Single Prints, 1996-1999
- Single Prints to 1996
- Haymarket Riot & Fast Chester Prints (1992-)
- Kroker Series, (w/J.Epstein, 1994-6)
- Kellner Series, (w/J. Epstein, 1994-5)
- SITO.org series, (1996-)
