Building a Culture of Ubiquity: Notes
	[1] Lichty, Patrick. The next "Little" Thing: Small platform installation and new media art, 1999, Presentation at Invencao 1999, Itau Cultural Center, Sao Paulo, Brazil. [2] Anders, Peter. Envisioning Cyberspace, 1998, McGraw Hill, New York, NY - Anders uses the term 'cybrid' throughhie text to connte space in which virtual and physical spaces exist concurrently to the user. Augmented reality is an example of this concept, but is only one possibility of a cybrid space. [3] In my involvement in technological art since 1978, it has taken until 2000 for institutions like the Whitney to include predominantly technological art forms like Internet art in their Biennial. Furthermore, the lack of a material referent for archival and objectification once again problematizes the institutional acceptance of these forms. [4] Dietz, Steve. Introduction for Mitchel Resnick's "Perpetual Kindergarten" lecture, What's Next Lecture Series, 1999, Walker Art Center, Minneapolis, Minnesota, USA [5] Stephenson, Neal The Diamond Age, 1995, Bantam Books, New York City, USA [6] Hayles, N. Katherine How We Became Posthuman, pp.28, 1999, Univ of Chicao Press, Chicago, Illinois, USA [7] The various disciplinary inquiries called forth by considering computer culture are vast, and far beyond the scope of this paper. [8] Roland Barthes. "The Death of the Author." Image, Music, Text. Ed. and trans. Stephen Heath. New York: Hill, 1977. [9] Case, Sue-Ellen. "Performing Lesbian in the Space of Technology: Part I." Theatre Journal (March 1995), 47(1):2, pp. 5-10 [10] Nintendo GameBoy, http://www.nintendo.com/gb/index.html [11] As of 9/2000, I have only seen a mention on the Rhizome list of a PalmPilot-based poetry project and talk of utilization of WAP-based cellular phones. No other references are known to the author. [12] On a recent trip to one of the local office supplu superstores, I noticed a PDA-style information appliance that centered around the playing of GameBoy-style games and sharing of notes between owners. The television ads consistently showed teenage girls using them, which is an interesting shift in demographic focus from the usual male audience. Unfortunately I do not remember the brand of the device. [13] Cole, Didymus, Lichty, et al. Sseyo Concept Phone http://www.sseyo.com, 2000 [14] Lichty, Patrick Alpha Revisionist Manifesto 2000 [15] Penny, Simon/Schulte, Jamieson, Sympathetic Sentience, 1999, Digital Traces, Pittsburgh Center for the Arts, Pittsburgh, PA http://www.pghcenarts.net/digitaltraces/index.htm [16] [17] LEGO Mindstorms Robotics System http://www.legomindstorms.com [18] Mitchel Resnick, Home Page, http://lcs.www.media.mit.edu/people/mres/ [19] Shown at Resnick's presentation at the Walker Art Center's What's Next lecture series, March 1999 [20] Lanier, Jaron. Keynote lecture at Arts & Technology copnference, University of Maryland College Park Center for Baroque and Reanaissance Studies, Oct. 1998 [21] Both Katherine Hayles in How We Became Posthuman Laurie Anderson in The Ugly One With the Jewels and Gregory Little in his Bodies Without Organs project muse over the similarities between the similarities of bodies of text (books) and bodies as text. [22] I posit throughout much of my writing that we communicate on concurrent channels in person and when we create media, this may consist of various gestures, body languages, subtexts, or concurrent media texts. [23] Lichty Patrick. Internal Monologues Project. 1998- [24] MIT Wearable Computing Group, http://mevard.www.media.mit.edu/projects/wearables/ [25] La Porta, Tina. Call and Response Performance The Kitchen, New York New York, USA. 9/26/2000, 7:30 PM. [26] Augmented Groove. Ivan Poupyrev et al, ATR Research Labs, Kyoto, Japan http://www.mic.atr.co.jp/sspace/ [27] M3 TeaGarden http://www.deepfoam.org/sponge/tg_siggraph/sig_html/play.html [28] From Personal correspondance from M. Kuzmanovic [29] Ibid. [30] Patrick Lichty The Grid, http://www.voyd.com/grid [31] P Lichty/ G. Little, Space without organs current reference at: http://www.voyd.com/grid .