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Cycle Engines
Video
CYCLE
ENGINES is a response to current astronomical images returning
from satellite and land based telescopes, utilising radio, infra
red, and x-ray. The images of Cycle Engines originated in the
patterns found in antique embroidered household linens and d’oillies
and were further developed in digital form, linking multiplicities
of consciousness from different times and places. In retaining
the original circular d’oilly shape and the patterns of the
embroideries the images are reminiscent of Buddhist mandala,
Polish paper cuts, and Polynesian body ornament; similar circular
designs are found in many cultures. "Pattern and interweave,
not unlike that of Maori or other Oceanic cultures, suggests
linkage and continuum; sustained intuition; descent and kinship;
and unity in Spirit.."(1) Don Binney -The Call of the Wild Goose,
Exploring Celtic Spirituality In animation the patterns created
suggest both cellular and stellar movement, and echo the movement
of all matter, in circles and spirals. This work on VHS is one
of a number of animations of a series of still digital images
called Cycle Engines. The digital images are sourced from my
paintings on household linen and d’ oillies, embroidered by
immigrant women early this century. The paintings were scanned
into computer, and digitally manipulated, then computer animated.
The Soundtrack was collaboratively created and recorded by Eddie
Rayner (Split Enz, Crowded House), in response to my visual
description of overlaid cycles in the most basic musical form,
music scales. He used a number of sequenced tracks created in
different cycling patterns of notes and time signatures. The
tracks are staggered so that they never repeat but create overlaid
serendipitous patterns. It was made and recorded for Cycle Engines
using a computer notation and audio sequencing program called
'Logic Audio'. I have intended this work for video projection
e.g. onto a wall in a darkened space (perhaps multiple images
running side by side) , onto the back of an exterior window,
or large scale video projection (outside on buildings). The
Master is available on Beta broadcast quality, or VHS.
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Bio
Raewyn Turner
grew up in Hawkes Bay, studied at Elam School of Fine Arts, University
of Auckland, New Zealand, for four years. From 1975, lived and worked
in the U.K., USA, Europe, and Australia until six years ago, returned
to N.Z. Raewyn's experience of working with coloured light and contemporary
music began in 1975 as the stage set and lighting designer in Australia
for Split Enz (for eight years) on international tours working in
Britain, USA, Canada, and Europe. Raewyn continues to work in light
with orchestras, contemporary music performance, jazz, contemporary
and experimental dance, and theatre and in live performances internationally.
Is a founding member of Bad Mothers, Melbourne and exhibits regularly
in New Zealand and Australia. Is currently working towards a solo
exhibition of paintings May 2000 (oil, tar and tempera) at PMP Gallery,
Auckland. Primary artform is drawing and painting, as well working
with digital technology, light, video projection, live performance,
and in collaborations with contemporary music, dance, orchestras.
Contact:
turner_rayner@clear.net.nz
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