REFERENCES:
[1] DeCerteau, Michel: Culture in the Plural. Pp.134, 1997, Univ. of Minnesota, Minneapolis, MN, USA
[2] Baudrillard, Jean.: The Transparency of Evil, Various pp., 1993, Verso, NYC
[3] WIRED, http://www.wired.com/, Mondo 2000,http://www.mondo2000.com/
[4] Sterling, Bruce: Schismatrix Plus, 1996 (reprint), Ace Books
[5] Negroponte, Nicholas. Being Digital, 1996 Vintage Press, NY, NY USA
[6] Baudrillard, Jean, SIMULACRA AND SIMULATIONS, Various pp. University of Michigan Press, (Ann Arbor, Michigan) US, 1985
[7] Negroponte, Nicholas.Ibid.,
[8] Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," trans. Harry Zohn in Film Theory and Criticism, ed. Gerald Mast & MarshallCohen, London, New York, Toronto, Oxford University Press, 1976, pp.612 - 634.
[9] Walter Benjamin: Theoretical Questions, Stanford, CA: Stanford University Press, 1996
[10] Kreuger, Barbara: Remote Control, (Arts & Leisures),
[11] Jameson, Frederick, Postmodernism, or the Cultural Logic of Late Capitalism, pp.266, Duke Univ. Press, 1992
[12] Berners-Lee, Tim. Various sources, personal website http://www.w3.org/People/Berners-Lee/
[13] Hardin, Garrett, "The Tragedy of the Commons," Science, Vol. 162, December 1968, pp. 1243-1248.
[14] http://www.irational.org/tm/archived/sainsbury/
[15] Cosic, Vuk. http://www.7-11.org. Original convenience store front page not online at this time. Also: Murphy, Robbin Neal. Art and Legal Ambiguity of the Internet http://artnetweb.com/iola/journal/history/1998/salzburg/index.html
[16] http://www.gatt.org
[17] http://www.rtmark.com
[18] http://www.wto.org
[19] Alexander, Amy. Plagiarist - http://www.plagiarist.org
[20] Alexander, Amy. Plagiarist http://plagiarist.org/acquisitions.html. Also from personal conversations.
[21] Andujar, Daniel. Technologies to the People Video Archive http://www.irational.org/video/ Also: Dietz, Steve. Memory_Archive_Database v.3.0, Switch Online Journal, Cadre Institute, San Jose State University, San Jose, CA 2000 http://switch.sjsu.edu/web/v5n3/C-1.html
[22] RTMark/Illegal Arts. Deconstructing Beck. http://www.rtmark.com/ppdb.html
[23] There are many sources that refer to the loss of the hackers tot he Motion Picture Assoc. of America. A good article is: Burke, Lynn. DVD Case: It's a Linux Thing WIRED Online, 1/28,2000 http://www.wired.com/news/politics/0,1283,33925,00.html
[24] etoy. Formerly http://www.etoy.com, now www.toywar.com
[25] Priluck, Jill. Etoy: 'This Means War' WIRED Online, 21.Dec.1999 http://www.wired.com/news/business/0,1367,33189,00.html
[26] Etoy Timeline. http://www.rtmark.com/etoyline.html The author understands the bias of this page, but it does provide a clear depiction of the Etoys decline.
[27] etoy.TOYWAR. http://www.toywar.com
[28] Obtained from the Leonardo Journal Online website.
[29] Anderson, Mark K. What's in a name? Plenty, when it's hot e-property Boston Globe Online 1/30/2000 http://www.boston.com/dailyglobe2/030/focus/What_s_in_a_name_Plenty_when_it_s_hot_e_property+.shtml
[29a] Announcement regarding Leonardo lawsuit at Leonardo On-Line, http://mitpress.mit.edu/e-journals/Leonardo/isast/lawsuit.html
[30] Hardin, Garrett, "The Tragedy of the Commons," Ibid.
[31] Negroponte, Nicholas.Ibid.,